Issue #54


Authors

Dyke Boots

My momma always said she knew it was me coming down the stairs

by the way my footsteps shook the dinner plates

stacked neatly

on the counter.

My sister stepped softly,

and my brother too slow, but I

came down the stairs like a crumbling building:

too big too loud and all

    at once

shaking the little blue flowers

painted on the ceramic rims.

 

You got feet like skis,

My grandmother said as I slipped off my tevas.

Nothin’ could keep you from coming down the mountain.

I nodded,

wishing for toes like rosebuds tucked

into ballet slippers

and the balance to wear heels to middle school dances,

where boys liked the girls with pretty shoes,

and ignored those that teetered like fawns

newborn in their mother’s mascara

leaving them desperate and wobbling

against the peach walls of the bathroom,

clinging to the sink basin

to keep them steady.

I found my first pair of boots

buried behind some loafers at a yard sale.

They were only six dollars and I

changed right there on the lawn, their eyelets

winking as the wet grass

soaked the hem of my overalls,

darkening the cross-hatch stitch of the denim.

The boots were black with yellow laces, and stiff

against my ankles—the type of support I thought

only another person could give me.

Later that night I traced the blisters that sprouted

like radishes along my heel,

flinching but not minding because these boots had soles

as thick as my wrist

and it felt right to take a step and know

that nothing could

penetrate the bottom.

It took three years to see another woman

with feet like mine.

She came into the hardware store and bought three pallets of bricks.

Her shirt was tucked and her hair cropped short,

and I wanted to tell her she was beautiful

with her chapped elbows, callused hands,

and familiar yellow laces wrapped twice

around her ankles.

You see, women like us aren’t often seen as beautiful,

but the way she flicked her wallet

out of her back pocket,

laughed with both hands on the counter,

and asked for track bolts

without saying sorry,

I knew in my belly

the necessity                of her shoulders, that her voice

could have filled jelly jars, 

and as I watched her leave

I counted her steps:

left, then right,

left, then right,

each one louder

than the next.

Exhalation

‘I HAVE CONCOCTED A TALE ABOUT MYSELF. I DON’T KNOW WHAT IT MEANS. SOMETHING ABOUT IT IS TOO-TRUE.’ IT BEGINS WITH